“Light
in photography lights up an emotion’’. Renata Siqueira Bueno
was born on 16 October 1960 in Anapolis-Goias. She lives in Sao Paulo
and Paris. The Brazilian photographer invites us to share the
intimacy of her unsettling dream world where landscapes and
characters merge making us use our imagination. Heaven and earth
meet, nature is its theatre, mystery its magnet. “My photos reveal
moments, magical moments. I do not always understand what I want to
photograph. Sometimes I get close. With my photos, I can travel
through time, embracing the world and paying tribute to it’’.
She
came to Paris to create costumes and stage designs for the plays of
her favourite authors. Renata perceives breath, poetry, emotion and
power, and imposes it in her work as in a painting. Both theatrical
and mystical, a sublime aesthetic composition, her photographs allow
her to say: “Sometimes in my pictures, I find hidden treasures. I
do not hide them. They just appear. When the picture is taken, I feel
like I have stolen it’’.
“Renata
Siqueira Bueno's photographs are like many meetings. Meetings and
preparations to make a mystery appear. Meetings with the models - but
who are these models - a tall woman, often with bare skin, water,
rocks, trees, the curved lines of the shadows, a streak of light, and
fireflies which, it is said, cannot be photographed. Meetings and
waiting for what the meeting will reveal. Shot at a precise time,
nothing is left to chance in the composition, the exposure time is
long, a full-time activity to erase the boundaries between the
presence of the landscape and its magic. These photographs do not
await nor grasp nor describe anything; they simply let a state of
being occur in the movement of light, in the physical forces of light
that reveal the secrets of the landscape, the landscapes of Brazil
more often than not. The murmur of water can merge with the folds of
a rock; what is seen is not always definitely identified; what is
definite is the light, the force of its play on elements and its
arborescence, which introduces the tale, and even more so in recent
colour prints: in the hinterland of the tale'', Bruno Bayen.
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