Pipilotti (born 1962) is a visual artist who works with video, film, and moving images

Elisabeth Charlotte "Pipilotti" Rist (born June 21, 1962), is a visual artist who works with video, film, and moving images which are often displayed as projections.

Life and career

Rist was born in 1962 in Grabs, Sankt Gallen, in Switzerland. Since her childhood she has been nicknamed Pipilotti. The name refers to the novelPippi Longstocking by Astrid Lindgren.

Rist studied at the University of Applied Arts Vienna in Vienna, through 1986. She later studied video at the School of Design (Schule für Gestaltung) in Basel, Switzerland. In 1997, her work was first featured in the Venice Biennial, where she was awarded the Premio 2000 Prize. From 1988 through 1994, she was member of the music band and performance group Les Reines Prochaines. From 2002 to 2003, she was invited by Professor Paul McCarthy to teach at UCLA as a visiting faculty member.

Pipilotti Rist currently lives with her common law partner Balz Roth, with whom she has a son, named Himalaya.

From 2005 to 2009, she worked on her first feature film, Pepperminta.

Works

During her studies Pipilotti Rist began making super 8 films. Her works generally last only a few minutes, and contained alterations in their colors, speed, and sound. Her works generally treat issues related to gender, sexuality, and the human body.

Her colorful and musical works transmit a sense of happiness and simplicity. Rist's work is regarded as feminist by some art critics. Her works are held by many important art collectionsworldwide.

In I'm Not The Girl Who Misses Much (1986) Rist dances before a camera in a black dress with uncovered breasts. The images are often monochromatic and fuzzy. Rists repeatedly sings "I'm not the girl who misses much," a reference to the first line of the song "Happiness Is a Warm Gun" by the Beatles. As the video approaches its end, the image becomes increasingly blue and fuzzy and the sound stops.

Rist achieved notoriety with Pickelporno (Pimple porno) (1992), a work about the female body and sexual excitation. The fisheye camera moves over the bodies of a couple. The images are charged by intense colors, and are simultaneously strange, sensual, and ambiguous.

Ever is Over All (1997) shows in slow-motion a young woman walks along a city street, smashing the windows of parked cars with a large hammer in the shape of a tropical flower. At one point a police officer greets her. The audio video installation has been purchased by the Museum of Modern Art in New York City.

Rist's nine video segments titled Open My Glade were played once every hour on a screen at Times Square in New York City, a project of the Messages to the Public program, which was founded in 1980.

Pour Your Body Out was a commissioned multimedia installation organized by Klaus Biesenbach and installed in the atrium of the Museum of Modern Art in early 2009. In an interview with Phong Bui published in The Brooklyn Rail, Rist said she chose the atrium for the installation "because it reminds me of a church’s interior where you’re constantly reminded that the spirit is good and the body is bad. This spirit goes up in space but the body remains on the ground. This piece is really about bringing those two differences together.

http://www.pipilottirist.net/

David Shrigley (born 17 September 1968) is a British visual artist

David Shrigley (born 17 September 1968) is a British visual artist. He lives and works in Glasgow.

Early life and education

Shrigley was born in Macclesfield on 17 September 1968, the younger of two children born to Rita (née Bowring) and Joseph Shrigley. He moved with his parents and sister toOadby, Leicestershire, when he was two years old. He did the Art and Design Foundation course at the Leicester Polytechnic in 1987, and then studied Environmental Art at the Glasgow School of Art from 1988 to 1991.

Work

Although Shrigley works in various media, he is best known for his mordantly humorous cartoons released in softcover books or postcard packs.

Shrigley finds humour in flat depictions of the inconsequential, the unavailing and the bizarre – although he is far fonder of violent or otherwise disquieting subject matter. Shrigley's work has two of the characteristics often encountered in outsider art – an odd viewpoint, and (in some of his work) a deliberately limited technique. His freehand line is often weak, which jars with his frequent use of a ruler; his forms are often very crude; and annotations in his drawings are poorly executed and frequently contain crossings-out (In authentic outsider art, the artist has no choice but to produce work in his or her own way, even if that work is unconventional in content and inept in execution. In contrast, it is likely that Shrigley has chosen his style and range of subject matter for comic effect).

As well as authoring several books, he directed the video for Blur's "Good Song" and also for Bonnie 'Prince' Billy's "Agnes, Queen of Sorrow". In 2005 designed a London Underground leaflet cover. Since 2005, he has contributed a cartoon for The Guardian's Weekend magazine every Saturday. Other projects have included the album Worried Noodles (Tom Lab, 2007) where musicians interpret his writings as lyrics, including collaborations by David Byrne, Hot Chip, and Franz Ferdinand.

Shrigley co-directed an animate!-commissioned film with director Chris Shepherd called Who I Am And What I Want, based on Shrigley's book of the same title. Kevin Eldon voiced its main character, Pete. He also produced a series of drawings and T-shirt designs for the 2006 Triptych festival, a Scottish music festival lasting for three to four days in three cities. He has also designed twelve different covers for Deerhoof's 2007 record, Friend Opportunity. In the same year he also designed the title sequence for the film Hallam Foe, as well as the drawings and the writing in Hallam's on-screen diaries.

Shrigley was nominated for the 2013 Turner Prize

http://www.davidshrigley.com