Philippe
Halsman (Russian: Филипп
Халсман; Latvian: Filips
Halsmans; 2 May 1906 – 25 June 1979 New York City) was an
American portrait photographer born in Riga in
the part of the Russian Empire which later became Latvia.
Born
to a Jewish family of Morduch (Max) Halsman, a dentist, and
Ita Grintuch, a grammar school principal, in Riga, Halsman
studied electrical engineering in Dresden.
In
September 1928, 22 year old Halsman was falsely accused of his
father's murder while they were on a hiking trip in the Austrian
Tyrol, an area rife with antisemitism. He was sentenced to ten years
hard labor/solitary confinement. His sister Liouba worked for his
release, getting support from important European intellectuals
including Freud, Einstein, Thomas Mann, Henri Hertz, and Paul
Painleve, who endorsed his innocence. He was pardoned and released in
1930.
Halsman
consequently left Austria for France. He began contributing to
fashion magazines such as Vogue and soon gained a
reputation as one of the best portrait photographers in France,
renowned for images that were sharp rather than in soft focus as
was often used, and closely cropped. When France was
invaded by Germany, Halsman fled to Marseille. He eventually
managed to obtain a U.S. visa, aided by family
friend Albert Einstein (whom he later famously photographed in 1947).
Halsman
had his first success in America when the cosmetics firm Elizabeth
Arden used his image of model Constance Ford against
the American flag in an advertising campaign for "Victory Red"
lipstick. A year later, in 1942, he found work with Life magazine,
photographing hat designs; a portrait of a model in a Lilly
Daché hat was the first of his many covers for Life.
In
1941 Halsman met the surrealist artist Salvador Dalí;
they began to collaborate in the late 1940s. The 1948 work Dalí
Atomicus explores the idea of suspension, depicting three cats
flying, a bucket of thrown water, and Dalí in mid air. The title of
the photograph is a reference to Dalí's workLeda Atomica which
can be seen in the right of the photograph behind the two cats.
Halsman reported that it took 28 attempts before a satisfactory
result was achieved. Halsman and Dalí eventually released a
compendium of their collaborations in the 1954 book Dalí's
Mustache, which features 36 different views of the artist's
distinctive mustache. Another famous collaboration between the two
was In Voluptas Mors, a surrealistic portrait of Dalí beside a
large skull, in fact a tableau vivant composed of seven
nudes. Halsman took three hours to arrange the models according to a
sketch by Dalí. A version of In Voluptas Mors was
used subtly in the poster for the film The Silence of The Lambs.
In
1947 Halsman made what was to become one of his most famous photos of
a mournful Albert Einstein, who during the photography session
recounted his regrets about his role in the United States pursuing
the atomic bomb. The photo would later be used in 1966 on a
U.S. postage stamp and, in 1999, on the cover of Time
magazine, when it called Einstein the "Person of the Century."
In
1951 Halsman was commissioned by NBC to photograph various
popular comedians of the time including Milton Berle, Sid
Caesar, Groucho Marx, and Bob Hope. While photographing the
comedians doing their acts, he captured many of the comedians in
mid-air, which went on to inspire many later jump pictures of
celebrities including the Ford family, The
Duke and Duchess of Windsor, Marilyn Monroe, María
Félix and Richard Nixon.
Halsman
commented, "When you ask a person to jump, his attention is
mostly directed toward the act of jumping and the mask falls so that
the real person appears." The photographer developed a
philosophy of jump photography, which he called jumpology. He
published Philippe Halsman's Jump Book in 1959, which
contained a tongue-in-cheek discussion of jumpology and 178
photographs of celebrity jumpers.
His
1961 book Halsman on the Creation of Photographic Ideas,
discussed ways for photographers to produce unusual pieces of work by
following six rules:
- "the rule of the direct approach,"
- "the rule of the unusual technique,"
- "the rule of the added unusual feature,"
- "the rule of the missing feature,"
- "the rule of compounded features,"
- "the rule of the literal or ideographic method."
In
his first rule, Halsman explains that being straightforward and plain
creates a strong photograph.
To
make an ordinary and uninteresting subject interesting and unusual,
his second rule lists a variety of photographic techniques, including
unusual lighting, unusual angle, unusual composition, etc.
The
rule of the added unusual feature is an effort by the photographer to
capture the audiences attention by drawing their eye to something
unexpected by introducing an unusual feature or prop into the
photograph. For example, the photograph of a little boy holding a
hand grenade by Diane Arbus contains what Halsman would
call an added unusual feature.
Halsman's
fourth rule of "the missing feature" stimulates the viewer
by going against his or her expectations.
The
fifth rule enlists the photographer to combine the other rules to add
originality to his or her photo.
Finally,
Halsman's literal or ideographic method is to illustrate a message in
a photograph by depicting the subject as clearly as possible.
Other
celebrities photographed by Halsman include Alfred
Hitchcock, Martin and Lewis, Judy Garland, Winston
Churchill, Marilyn Monroe, Dorothy Dandridge, and Pablo
Picasso. Many of those photographs appeared on the cover of Life.
In such photos, he utilizes a variety of his rules of photography.
For example, in one of his photos of Winston Churchill, the
omission of his face makes Halsman's photo even more powerful at
making Churchill more human.
In
1952 John F. Kennedy sat twice for photographs by Halsman.
A photograph from the first sitting appeared on the jacket of the
original edition of Kennedy's book Profiles in Courage; one from
the second sitting was used in the senatorial campaign.
In
1958 Halsman was listed in Popular Photography magazine's
"World's Ten Greatest Photographers", and in 1975 he
received the Life Achievement in Photography Award from the American
Society of Magazine Photographers, of which he was elected the first
president in 1945. He also held many large exhibitions worldwide.
In
the 2007 film Jump!, Halsman was portrayed by Ben
Silverstone.
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