Taryn
Simon
was born in New York in 1975.
Simon's
artistic medium consists of three equal elements: photography, text,
and graphic design. Her works investigate the impossibility of
absolute understanding and opens up the space between text and image,
where disorientation occurs and ambiguity reigns.
A
Living Man Declared Dead and Other Chapters I-XVIII was
produced over a four-year period (2008-11), during which Simon
travelled around the world researching and recording bloodlines and
their related stories. In each of the eighteen 'chapters' that make
up the work, the external forces of territory, power, circumstance or
religion collide with the internal forces of psychological and
physical inheritance. The subjects documented by Simon include
victims of genocide in Bosnia, test rabbits infected with a lethal
disease in Australia, the first woman to hijack an aircraft, and the
living dead in India. Her collection is at once cohesive and
arbitrary, mapping the relationships among chance, blood, and other
components of fate.
Contraband (2010),
is an archive of global desires and perceived threats, presenting
1,075 images of items that were detained or seized from passengers
and mail entering the United States from abroad. An
American Index of the Hidden and Unfamiliar(2007),
reveals objects, sites, and spaces that are integral to America's
foundation, mythology, or daily functioning but remain inaccessible
or unknown to a public audience.
These unseen subjects range from radioactive capsules at a nuclear
waste storage facility to a black bear in hibernation to the art
collection of the CIA. The Innocents (2003) documents cases of
wrongful conviction in the U.S., calling into question photography's
function as a credible witness and arbiter of justice.
Simon's
photographs and writing have been the subject of monographic
exhibitions at institutions including Museum of Modern Art, New York
(2012); Tate Modern, London (2011); Neue Nationalgalerie, Berlin
(2011); Whitney Museum of American Art, New York (2007); Museum für
Moderne Kunst, Frankfurt (2008); Kunst-Werke Institute for
Contemporary Art, Berlin (2004); and P.S.1 Contemporary Art Center,
New York (2003). Permanent collections include the Metropolitan
Museum of Art, Tate Modern, Whitney Museum, Centre Pompidou, and the
Los Angeles Museum of Contemporary Art. In 2011 her work was included
in the 54th Venice Biennale.
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