“Goldo
(aka Dominique
Houcmant)
and his camera are one and the same. If one sees the first, the
second is generally not far distant: around his neck, in his hand,
lying on a bar or at the end of a table. Appearances can
be misleading however: one never actually sees Goldo, he sees
everything first. He has got a natural talent in anticipating fragile
images: a reflection of light on an arm, a shadow on a wall, a face
behind a glass of beer, a light bird on the dark tarmac.
Goldo
is an eye moving stealthily in a fast progressing world. His
snapshots stop time. For a smile, a glance or a gesture, color gives
way to black and white and the continuous showdown between light and
dark. Anyhow, he catches our hectic world: drunken nights,
concerts, factories and boats, actors, lonely girls sitting at a
table, worn-out hands or smoking cigarettes….
Goldo
is picture compulsive. Not only does he take pictures but he
publishes them on the web, he comments them, classifies them, adds
soundtracks to them, discusses about links and comments, he is
weaving an image web on the networks network.
Behind
the frenzy and the feeling of emergency, the essence survives: the
images coming out from Dominique Houcmant’s camera don’t show the
world as it is but as it should be in Goldo’s eye: dark,
disconcerting, highly-strung and almost always stirring. A touching
and human world made of little moments lasting for eternity.”
(Nicolas
Ancion,
writer / Bernard Hauffman, english translation)
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