Nicholas
Nixon (born 1947 in Detroit, Michigan) is known for the ease and
intimacy of his black and white large format photography. Nixon
has photographed porch life in the rural south, schools in and around
Boston, cityscapes, sick and dying people, the intimacy of couples,
and the ongoing annual portrait of his wife, Bebe, and her three
sisters (which he began in 1975).
Recording his subjects close
and with meticulous detail facilitates the connection between the
viewer and the subject. Nixon has been awarded three National
Endowment for the Arts Fellowships and two Guggenheim Fellowships.
In 2005 Nixon had a solo exhibition at the National Gallery of
Art in Washington, D.C. and the Cincinnati Art Museum. In 2006,
Nixon’s ongoing portrait of the Brown sisters was exhibited at the
Museum of Modern Art, New York and the Modern Art Museum of Fort
Worth, Texas. In 2010, the Museum of Fine Arts, Boston
exhibited Nicholas Nixon: Family Album, through May 2011. In
Summer 2013 Nixon’s book Close Far was released by Steidl. The
body of work explores the relationship of the self in physical
and psychological proximity to the urban landscape. Nixon’s work is
included in the collections of the Metropolitan Museum of Art, the
Museum of Modern Art, New York, the San Francisco Museum of Modern
Art and the Museum of Fine Arts in Boston, among many others.
About
the The Brown Sisters's serie :
Nicholas
Nixon was visiting his wife’s family when, “on a whim,” he
said, he asked her and her three sisters if he could take their
picture. It was summer 1975, and a black-and-white photograph of four
young women — elbows casually attenuated, in summer shirts and
pants, standing pale and luminous against a velvety background of
trees and lawn — was the result. A year later, at the graduation of
one of the sisters, while readying a shot of them, he suggested they
line up in the same order. After he saw the image, he asked them if
they might do it every year. “They seemed O.K. with it,” he said;
thus began a project that has spanned almost his whole career. The
series, which has been shown around the world over the past four
decades, will be on view at the Museum of Modern Art, coinciding with
the museum’s publication of the book “The Brown Sisters: Forty
Years” in November.
Who
are these sisters? We’re never told (though we know their names:
from left, Heather, Mimi, Bebe and Laurie; Bebe, of the penetrating
gaze, is Nixon’s wife). The human impulse is to look for clues, but
soon we dispense with our anthropological scrutiny — Irish? Yankee,
quite likely, with their decidedly glamour-neutral attitudes — and
our curiosity becomes piqued instead by their undaunted stares. All
four sisters almost always look directly at the camera, as if to make
contact, even if their gazes are guarded or restrained.










































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