Charles
Burns (born September 27, 1955) is
an American cartoonist and illustrator.
Charles
Burns' earliest works include illustrations for the Sub
Pop fanzine, and Another Room Magazine of Oakland, CA,
but he came to prominence when his comics were published for the
first time in early issues of RAW, the avant-garde comics
magazine founded in 1980 by Françoise Mouly andArt
Spiegelman. In 1982, Burns did a die-cut cover for RAW #4. Raw Books
also published two books of Burns as 'RAW One-Shot': Big
Baby andHard-Boiled Defective Stories. In 1994, he was awarded
a Pew Fellowships in the Arts. In 1999, he showed at
the Pennsylvania Academy of the Fine Arts.
Most
of Burns' short stories, published in various supports over the
decades, were later collected in the three volumes of the "Charles
Burns' Library" (hardcovers from Fantagraphics Books): El
Borbah (1999), Big Baby (2000), and Skin
Deep (2001). (A fourth and last volume, Bad Vibes, has yet
to be published, which would have the Library collecting the entirety
of his pre-Black Hole comics work. It was later stated that
Burns did not feel there was enough material for a complete fourth
volume.)
From
1993 to 2004, he serialized the 12 chapters of his Harvey
Award-winning graphic novel Black Hole (12 issues from Kitchen Sink
Press and Fantagraphics Books).
In
2007 Burns contributed material for the French made animated horror
anthology Fear(s) of the Dark.
In
October 2010, Burns released the first part of a new series, X'ed
Out. Part two of the new trilogy, The Hive, was released in
October 2012.
Burns'
high-profile illustrations include work for the Iggy
Pop album Brick by Brick. His art was also licensed by The
Coca-Cola Company to illustrate product and advertising material
for their failed OK Soda product. More recently, he has
worked on advertising campaigns for Altoids and portrait
illustrations for The Believer. In the early 1990s,
his Dogboy stories were adapted by MTVas a live-action
serial for Liquid Television. In 1991, choreographer Mark
Morris commissioned him to create illustrations that were then
used as a basis for his version of Tchaikovsky's Nutcracker, calling
it The Hard Nut. Burns's style was a source of inspiration
for Martin Ander's artwork for Fever Ray, Karin
Dreijer Andersson's solo project.
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)