Dutch
photographer Sanne Sannes (1937-1967) earned a name for
himself in the early 1960s with his grainy, erotic portraits. He was
viewed as an extremely promising photographer of the new generation
characterised by the freedom of the 1960s. Women were his favourite
subjects and an endless source of inspiration. In a nearly obsessive
way, he photographed them time after time during ecstatic sessions,
often in the nude, recording their most intimate moments. This
intimacy was emphasized in out-of-focus and underexposed photos
because Sannes worked with existing light and always with a hand-held
camera.
Sannes
worked on exhibitions both in the Netherlands and beyond its borders.
Due to his untimely death, he never truly achieved an international
breakthrough — he died in a car accident at the age of thirty. Even
though his career was not a long one, the oeuvre he built up was
nevertheless of the finest quality. The Foam exhibition shows a
cross-section of this work. Part of the mock-up of Sannes’
never-published photo book Dagboek
van een erotomaan [Diary of a Erotomaniac]
will also be on display.
Sanne
Sannes was born in 1937 in The Netherlands. His brief career,
ending abruptly when he died in a motorcycle accident at age 30,
focused on his taste for the erotic and a fascination with women. His
voyeuristic style reflects the morals and atmosphere of the sixties,
which provided an inspiration for his models as well as himself.
Sannes exhibited an intensely poetic eye for women. He explored
aspects of sexual passion and human nature, and described his
approach as follows:
There
are many men who’ll never see a woman in ecstasy. They change from
one thing to something else completely different. Human
emotions are my subject matter. I photograph people. They’re
what interest me, obsess me. I want to know what pushes them to
do what they do. I don’t look for them in the street; I don’t do
random photography. I direct them and record the moment they open up
and become naked. I chose the most emotionally charged moments, the
point of no return. I’m fanatically zealous!
— Sanne
Sannes
Sannes’
work is most well-known through his publications, Sex
a Gogo,
published in 1969, two years after his death, and Oog
om oog (Eye for eye)
which was published a few years prior. A limited-edition
monograph of 2000 copies was published in 1993 with extensive
photographic and bibliographic information using Sannes’ original
photographs for the book’s reproductions.
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