Joel-Peter
Witkin (born September 13, 1939) is an American photographer who
lives in Albuquerque, New Mexico. His work often deals with such
themes as death, corpses (and sometimes dismembered portions
thereof), and various outsiders such
as dwarves, transsexuals, hermaphrodites, and
physically deformed people. Witkin's complex tableaux often
recall religious episodes or classical paintings.
Witkin
was born to a Jewish father and Roman Catholic mother.
His twin brother, Jerome Witkin, and son Kersen Witkin, are
also painters. Witkin's parents divorced when he was young because
they were unable to overcome their religious differences. He attended
grammar school at Saint Cecelia's in Brooklyn and went on to Grover
Cleveland High School. Between 1961 and 1964 he was a war
photographer documenting the Vietnam war. Going freelance in
1967, he became the official photographer for City Walls Inc. He
attended Cooper Union in New York where he
studied sculpture, attaining a Bachelor of Arts degree in 1974.
After Columbia University granted him a scholarship, he
ended his studies at the University of New
Mexico in Albuquerque, where he became Master of Fine Arts.
Witkin
claims that his vision and sensibility spring from an episode he
witnessed as a young child, an automobile accident in front of his
house in which a little girl was decapitated.
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It
happened on a Sunday when my mother was escorting my twin brother
and me down the steps of the tenement where we lived. We were
going to church. While walking down the hallway to the entrance of
the building, we heard an incredible crash mixed with screaming
and cries for help. The accident involved three cars, all with
families in them. Somehow, in the confusion, I was no longer
holding my mother's hand. At the place where I stood at the curb,
I could see something rolling from one of the overturned cars. It
stopped at the curb where I stood. It was the head of a little
girl. I bent down to touch the face, to speak to it -- but before
I could touch it someone carried me away".
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”
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He
says his family's difficulties also influenced his work. His favorite
artist is Giotto. His photographic techniques draw on
early Daguerreotypes and on the work of E. J. Bellocq.
Those
of Witkin's works which use corpses have had to be created in Mexico
in order to get around restrictive US laws. Because of
the transgressive nature of the contents of his images, his
works have been labelled exploitative and have
sometimes shocked public opinion.
His
techniques include scratching the negative, bleaching or toning
the print, and using a hands-in-the-chemicals printing technique.
This experimentation began after seeing a 19th-centuryambrotype of
a woman and her ex-lover who had been scratched from the frame.
Joel-Peter
Witkin's photograph "Sanitarium" inspired the final
presentation of Alexander McQueen's Spring/Summer 2001 collection
based on avian imagery, the walls of another box within the faux
psychiatric ward collapsed to reveal a startling tableau vivant: a
reclining, masked nude breathing through a tube and surrounded by
fluttering moths.
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