Peter
Marlow (born 1952, Kenilworth, England) is a
British news photographer and member of Magnum Photos.
Marlow
studied psychology at Manchester University, graduating in 1974.
He then started his career as an international photojournalist,
working on an Italian cruise liner in the Caribbean in 1975
before joining the Sygma news agency in Paris in
1976. In the late 1970s he worked in Northern
Ireland and Lebanon, but soon found that the competition of
photojournalism did not suit him. He returned home to Britain,
and worked in Liverpool on an 8-year project. He became
associated with Magnum photos in 1981 and became a full member in
1986.
In
1991 he received an assignment from the Somme department in
France to photograph Amiens for which he turned to a
medium-format, square-frame camera. Later he began to work
abroad again, traveling to Japan, the United States, and
other parts of Europe. His photography now is primarily in
color. Though well known for his depictions of places, Marlow
has also documented politics with a collaboration with Tony
Blair.
Although
gifted in the language of photojournalism, Peter Marlow is not a
photojournalist. He was initially, however, one of the most
enterprising and successful young British news photographers, and in
1976 joined the Sygma agency in Paris. He soon found that he lacked
the necessary appetite for the job while on assignment in Lebanon and
Northern Ireland during the late 1970s; he discovered that the
stereotype of the concerned photojournalist disguised the
disheartening reality of dog-eat-dog competition between
photographers hunting fame at all costs.
Since
those days, Marlow's aesthetic has shifted - in that he makes mainly
color photographs - but his approach is unchanged. The color of
incidental things became central to his pictures in the same way that
the shape and mark of things had been central to his black-and-white
work.
Marlow
has come full circle. He started his career as an international
photojournalist, returned to Britain to examine his own experience,
and discovered a new visual poetry that enabled him to understand his
homeland. Having found this poetry, he has taken it back on the road:
he now photographs as much in Japan, the USA and elsewhere in Europe
as he does in the UK.
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