Gordon
Parks (November 30, 1912 – March 7, 2006)
was an American photographer, musician, writer and film
director. He is best remembered for his photographic essays
for Life magazine and as the director of the 1971
film, Shaft.
Gordon
Parks was one of the seminal figures of twentieth century
photography. A humanitarian with a deep commitment to social justice,
he left behind a body of work that documents many of the most
important aspects of American culture from the early 1940s up until
his death in 2006, with a focus on race relations, poverty, Civil
Rights, and urban life. In addition, Parks was also a celebrated
composer, author, and filmmaker who interacted with many of the most
prominent people of his era—from politicians and artists to
celebrities and athletes.
Born
into poverty and segregation in Kansas in 1912, Parks was drawn to
photography as a young man when he saw images of migrant workers
published in a magazine. After buying a camera at a pawnshop, he
taught himself how to use it and despite his lack of professional
training, he found employment with the Farm Security Administration
(F.S.A.), which was then chronicling the nation’s social
conditions. Parks quickly developed a style that would make him one
of the most celebrated photographers of his age, allowing him to
break the color line in professional photography while creating
remarkably expressive images that consistently explored the social
and economic impact of racism.
When
the F.S.A. closed in 1943, Parks became a freelance photographer,
balancing work for fashion magazines with his passion for documenting
humanitarian issues. His 1948 photo essay on the life of a Harlem
gang leader won him widespread acclaim and a position as the first
African American staff photographer and writer for Life Magazine,
then by far the most prominent photojournalist publication in the
world. Parks would remain at Life Magazine for two decades,
chronicling subjects related to racism and poverty, as well as taking
memorable pictures of celebrities and politicians (including Muhammad
Ali, Malcolm X, Adam Clayton Powell, Jr., and Stokely Carmichael).
His most famous images, such as Emerging Man, 1952, and American
Gothic, 1942, capture the essence of activism and humanitarianism in
mid-twentieth century America and have become iconic images, defining
their era for later generations. They also rallied support for the
burgeoning Civil Rights Movement, for which Parks himself was a
tireless advocate as well as a documentarian.
Parks
spent much of the last three decades of his life expanding his style,
conducting experiments with color photography. He continued working
up until his death in 2006, winning numerous awards, including the
National Medal of Arts in 1988, and over fifty honorary doctorates.
He was also a noted composer and author, and in 1969, became the
first African American to write and direct a Hollywood feature film
based on his bestselling novel The Learning Tree. This was followed
in 1971 by the hugely successful motion picture Shaft. The core of
his accomplishment, however, remains his photography the scope,
quality, and enduring national significance of which is reflected
throughout the Collection. According to Dr. Henry Louis Gates, Jr.,
Director of the W.E.B. Du Bois Research Center at Harvard University,
"Gordon Parks is the most important black photographer in the
history of photojournalism. Long after the events that he
photographed have been forgotten, his images will remain with us,
testaments to the genius of his art, transcending time, place and
subject matter.”
Films
- Flavio, 1964. Director and screenplay
- Diary of a Harlem Family , 1968.. Narrator, still photography.
- The World of Piri Thomas, 1968. 16mm. Director
- The Learning Tree, 1969. 35mm. Director, producer, screenplay, music.
- Shaft , 1971. 35mm. Director
- Shaft’s Big Score! 1972. 35mm. Director
- The Super Cops , 1974. 35mm. Director
- Leadbelly , 1976 35mm. Director
- Solomon Northup’s Odyssey , 1984. 16mm, made for TV. Director, screenplay.
- Moments Without Proper Names, 1987. 16mm. Director, screenplay, music.
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