Fernando
Lemos (b. 1926) is a painter, graphic artist and photographer
from Portugal.
Early
in his career, in 1960 , Fernando Lemos, photographer from Portugal,
is participating in intellectual resistance movement against the
dictatorship of Salazar. His Production is experimental, close to the
experimental nature inspired by work of Man Ray (1890-1976).
He
came in Brazil and lived in the Pension Maua , in Rio de Janeiro,
where he photographs writers and artists. In 1953 , some of his
photos are display at the Museu de Arte Moderna de São Paulo - MAM
/ SP [ Museum of Modern Art of São Paulo ] and the Museu de Arte
Moderna do Rio de Janeiro - MAM / RJ [ Museum of Modern Art in Rio de
Janeiro ] . His works resemble those of modern Brazilian
photographers of the late 1940s, related to Foto Cine Clube
Bandeirante [Photo Film Club Bandeirante] .
Fernando
Lemos still working with construction techniques and organization of
space , as in Luz Teimosa [ Stubborn Light ] , 1951/1952 , where the
light is revealed in lines that intersect , in a subtle way , an
atmosphere confined . The brief period during which he devoted
himself more intensely to photography ends shortly after his arrival
in Brazil. He began to work with drawing and painting and produces
non- figurative works . He first uses shapes cut out the background ,
often close to graphic signs in compositions mainly structured by
line , as in Símbolos [ Symbols ] , 1967. In other works , he uses
geometry as an expressive form , and also creates organic forms
evoking symbols. It also explores the luminosity of watercolor.
Fernando
Lemos also works with visual communication and graphic planning, and
as an illustrator for several publications. With Décio Pignatari
(1927) , he led the design studio Maitiry in São Paulo. His design
work is still not well known .
http://pt.wikipedia.org/wiki/Fernando_Lemos
(in portugese)
Movie
about the work of Fernando Lemos :
http://www.imdb.com/title/tt1843151/synopsis?ref_=tt_stry_pl
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