Chen
Wenling (陈文令) (b.1969)
from Anxi, China, is recognized as one of the top ten contemporary
sculptors in the international art industry today, exhibiting in a
number of prestigious exhibitions such as Art Basel in Switzerland
and the Shanghai Biennale. Chen Wen Ling graduated from Xiamen
Academy of Art and Central Academy of Fine Arts in Beijing.
Chen
Wen Ling’s sculptural works encompasses many meanings, which
revolves around the manifestations of extreme humanity and immaterial
images in a consumption society. Many of his works are metaphors of
the messages he conveys about his view on
society.
Red-Memory-Series
The use of bright red
colour in presenting the boys depicts not only the symbolic and
auspicious colour considered by Chinese traditions but also, a
testament of the artist’s fiery attitude towards life. The Red
Boys, naked and free have nothing to hide. Simple and true- a direct
communication with nature and a conversation between society and
people is what Chen Wen Ling’s works communicate to the audiences.
The cheeky expressions and arresting poses is a celebratory call to
the audiences-embracing the inner child in every
viewer.
China-Scene
In Chen Wen Ling’s latest
series of work, Chen Wen Ling has a change of front on his art
concept. He gave full scope to his imagination, borrowed the methods
of appropriation, assemblage and translation from post-modern
concept. That is, blending and transforming the natural, traditional
and modern images, creating a kind of surrealistic and fantastic
scene of the so-looked mountain and stone. The fantastic mountains
and stones are shaped to ambiguous things subjectively, like melting
iceberg, or gigantic deer, also seems like traditional pavilion. The
bottom of the sculpture looks like melting ice, while the top of the
pavilion is beautifully carved drops. This twisty, fragmentized and
unrealistic phantasm reappeared vividly a quiescent pure world and a
sense of realistic alienation.
Happy-Life-Series
The
juxtaposition of "personification" and "hypostatization"
is a method acquired by Chen in his exploration of art. He adopts
this method nonstop in his series of works so that it multiplies and
gains more value, forming a developing momentum propelled by a
self-sufficient driving power within. (from
https://www.facebook.com/Chen.Wenling.Artist)
The juxtaposition of "personification" and "hypostatization" is a method acquired by Chen in his exploration of art. He adopts this method nonstop in his series of works so that it multiplies and gains more value, forming a developing momentum propelled by a self-sufficient driving power within. (from https://www.facebook.com/Chen.Wenling.Artist)
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