Jacques
Henri Lartigue (June 13, 1894 – September 12, 1986) was a
French photographer and painter, most famous for his
photographs of automobile races, planes and fashionable Parisian
women.
Born
in Courbevoie to a wealthy family, Jacques Henri Lartigue
started taking photographs when he was 7, his subject matter being
primarily his own life and the people and activities in it. As a
child he photographed his friends and family at play – running and
jumping, racing wheeled soap boxes, building kites, gliders and
aeroplanes, and climbing the Eiffel Tower. He also photographed many
famous sporting events, including automobile races such as the Coupe
Gordon Bennett and the French Grand Prix, early flights by
aviation pioneers including Gabriel Voisin, Louis
Blériot,Louis Paulhan and Roland Garros, and the tennis
player Suzanne Lenglen at the French Open tennis
championships.
Although
little seen in that format, many of his earliest and most famous
photographs were originally taken in stereo, but he also
produced vast numbers of images in all formats and media including
glass plates in various sizes, some of the earliest autochromes,
and film in 2¼” square and 35mm. His greatest achievement was his
set of around 120 huge photograph albums, which compose the finest
visual autobiography ever produced. While he sold a few photographs
in his youth, mainly to sporting magazines such as La Vie au
Grand Air, in middle age he concentrated on his painting, and it was
through this that he earned his living, although he maintained
written and photographic journals throughout his life. Only when he
was 69 were his boyhood photographs serendipitously discovered by
Charles Rado of the Rapho agency, who introduced him
to John Szarkowski, then curator of the Museum of Modern
Art in New York, who in turn arranged an exhibition of his work
at the museum.
From
this, there was a photo spread in Life magazine in 1963,
coincidentally in the issue which commemorated the death of John
Kennedy, ensuring the widest possible audience for his pictures.
By
then as he received stints for fashion magazines, he was famous in
other countries other than his native France, when until 1974 he was
commissioned by the newly elected President of France Valéry
Giscard d'Estaing to shoot an official portrait photograph. The
result was a simple photo of him without the use of lighting
utilising the national flag as a background.[1] He was rewarded
with his first French retrospective at the Musée des Arts
Décoratifs at the following year and had more commissions from
fashion and decoration magazines flooding in for the rest of his
life.
His
first book, Diary of a Century was published soon
afterwards in collaboration with Richard Avedon, and from then
on innumerable books and exhibitions throughout the world have
featured Lartigue's photographs. He continued taking photographs
throughout the last three decades of his life, finally achieving the
commercial success that had previously evaded this rather unworldly
man. He received for this book a mention at the Rencontres d'Arles
Book Award in 1971. Next year he was the festival's guest of honour.
An evening screening was presented by Michel Tournier "
"Jacques-Henri Lartigue & Jeanloup Sieff" . In 1974,
his work was included in the group exhibitiion " Filleuls et
parrains". The movie "Lartigue, année 90", by
François Reichenbach is shown in 1984. At the same time his work
"Les 6 x 13 de Jacques-Henri Lartigue" is exhibited in the
festival. In 1994, "J.-H. Lartigue, l'amateur de rêve" by
Patrick Roegiers, was one of the evening screening, and a last
exhibition is presented: "Lartigue a cent ans".
Although
best known as a photographer, Lartigue was a capable if not
especially gifted painter and showed in the official salons in Paris
and in the south of France from 1922 on. He was friends with a wide
selection of literary and artistic celebrities including the
playwright Sacha Guitry, the singer Yvonne Printemps, the
painters Kees van Dongen, Pablo Picasso and the
artist-playwright-filmmaker Jean Cocteau. He also worked on the
sets of the film-makers Jacques Feyder, Abel Gance, Robert
Bresson, François Truffaut and Federico Fellini, and
many of these celebrities became the subject of his photographs.
Lartigue, however, photographed everyone he came in contact with, his
most frequent muses being his three wives, and his mistress of the
early 1930s, the Romanian model Renée Perle.

































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